About Yuji Iwasaki
Representative of Bokmakuhari / Social Insurance Labor Consultant / Researcher of the Sound of the Heart
Qualifications etc .---------------------------------
Social Insurance Labor Consultant (Registration Number 13220171)
Advanced Pension and Future Planning Consultant (Registered Trademark No. 5933395)
Nippon Foundation WORK! DIVERSITY Project
Completed Diversity Employment Support Practical Training
Special Pension Advisor
(November 2002 to present: Engaged in consultation services at a pension office)
Completed the 11th Adult Guardianship Training Course
Job support for people with mental and developmental disabilities
Medical Labor Consultant
Pension Advisor Level 3
Payroll Calculation Practical Skills Examination Level 2
Japan Clinical Psychology Counseling Association
Certified Clinical Psychological Counselor (2006 )
Junior high school teacher license type 1
Completed the Pension Professional Training Course sponsored by the Economic Law Institute
HR & General Affairs Skills Improvement Certification Association HR & General Affairs Expert
& HR General Affairs Leader (2020)
Regular driver's license
Judo 1st Dan
Affiliation -----------------------------------------------
Meiji University Professional Association, Social Insurance and Labor Consultant Sundai Association
Tokyo Social Insurance and Labor Consultant Association, Joto Branch, Katsushika Branch
Tokyo Social Insurance and Labor Consultant Association Political Federation
Member of Ito-Thermie Friendship Association Pension Senior Plan Supporting Member of the Institute of Comprehensive Research
Awards --------------------------------------------------------
"I'm Normal" was nominated for the 2nd Kanagawa Drama Award, "I Can't Translate It in My Words" was nominated for the 9th Japan Playwrights Association New Play Award, "The Best Foreplay" was nominated for the 4th Kanagawa Drama Award, and "The Witch at the Tip" was nominated for the 12th Japan Playwrights Association New Play Award.
hobby ---------------------------
Tarot Reading
Ito-thermy
Biography
◆■Theater Immersion Period (College Student to Age 28)◆■ When I was a student, my girlfriend was a fan of the comedy group Jobijoba, so I passively joined the Meiji University theater club "Sodosha," which the group frequented. However, I was immediately captivated by theater, and while still a student, I auditioned for the Seinendan Theater Company, led by Oriza Hirata, and spent nine years there as both an actor and a director. During my time there, I also founded my own theater unit, boku-makuhari, and performed at the Asagaya Meikyoku Kissa, calling it an "attempt to immerse the audience in theater." Major Acting Activities: Theatre: National tour, European tour (5 cities in 4 countries), performances in Hong Kong and Australia, etc. Films: "Honey and Clover" and "All Around Us" Commercials: JACCS Card, Sharp AQUOS LCD, Daiwa House, Navitime, etc. Major Playwriting and Directing Activities: "I'm Normal" was nominated for the 2nd Kanagawa Drama Award "My Words Can't Translate" was nominated for the 9th Japan Playwrights Association New Playwright Award "The Best Foreplay" won the 4th Kanagawa Drama Award Reading performance starring Mitsuru Fukikoshi and Hairi Katagiri, directed by Akio Miyazawa (@Kanagawa Prefectural Civic Hall) "The Witch at the Tip" was nominated for the 12th Japan Playwrights Association New Playwright Award Other Activities: Hosted a workshop: "Bokumaku Style Introduction to Blunt Acting" Interviews and articles have been published in the magazines "Engeki Book" and "Eureka" Books His plays were published in the Japan Playwrights Association's collection of outstanding new plays in 2004 and 2006.
From the Depression Period to Reactivation ◆■ Around age 29, I began suffering from a desire to die, which led me to quit my theater company and cut off my ties with society. At age 34, I reached my limit during the boku-makuhari production "Sleep Insider" (playwriting and direction). From that point on, I became a recluse for over four years. At age 37, on New Year's Eve, I started jogging little by little, but I decided to complete my goal of running a 30+ km round trip marathon from Shibamata to Kasai Rinkai Park. My "perception that maybe I can still do it" grew. At age 38, I used the day care center where I was receiving medical treatment for about six months and then entered a Type B continuous employment support facility. At age 40, I got my first job at a special subsidiary (employing people with disabilities). At age 41, I was transferred to the company's corporate social insurance department. I learned about the existence of social insurance labor consultants. Enrolled in the i.D.E. Social Insurance Labor Consultant School. While studying under Professor Kazuyuki Ide, he leads a team of eight people at work. He focuses on human resource development, engagement, and operational efficiency, through initiatives such as going paperless using VBA, holding monthly meetings, philosophical dialogues, and publishing monthly team newsletters. At age 45, he passed the 53rd Social Insurance and Labor Consultant Examination on his third attempt. At age 46, he registered as a social insurance and labor consultant in April 2022. Opened "Social Insurance and Labor Consultant Office Bokumakuhari" in September of the same year.
What kind of person is Iwasaki?
◇□ Leading Actress A Introduces Iwasaki Yuji of boku-makuhari (2004) ◇□ Whether he's a surfer, a rock 'n' roller, a student, or a veterinarian, whatever he does, actor Iwasaki is "good," and yet, "What? Scary." That's the impression I got. I never imagined we'd have such a long-lasting relationship. And that it would be "director Iwasaki." It was completely unexpected. I'm an actor blessed with a talent for choosing directors. And I'm aware of that. Maybe that's why. I threw myself into Iwasaki from the moment we first met. But there's a catch. Iwasaki Yuji is a good actor. Simply directing a work isn't enough. "Director Iwasaki" also has to direct, so it's tough. The workload is doubled. When I get past the peak, I'll have to wear a hiepita (heat mitt) on my forehead and look like a high-school student preparing for exams. So, here's a photo. This is during rehearsals for "My Words Can't Translate," which won the Playwrights Association New Play Award. He looks stern. Severe. Rehearsals are tough. Oba Yusuke, who has appeared in the play twice before, looks about to cry and is half-naked. Even though it's unnecessary. I look like I'm about to jump on him. I guess he's thinking, "You can't fight on an empty stomach." But Iwasaki knows what the actors are thinking. When I jumped on him, he fought back with his signature judo technique. That bastard. At first, we couldn't even ride the train together. "I have a multi-ride ticket," he would say, and quickly leave while everyone else was buying their tickets. Isn't that a bit of a weak reason not to go home together? I wonder what he would have done if she had said, "I have a multi-ride ticket too." That's Iwasaki. But recently, he's been joining me. Anyway, it's not that simple. When we meet for the first time in a while after finishing a project, the distance that we had worked so hard to close is back to normal. "○○" has become "○○-san." What's more, what I said above is just the tip of the iceberg. It's okay. It's okay. Me. Matsuwa.
◇□Process worker K. introduces boku-makuhari's Yuji Iwasaki (2007)◇□ Mr. Iwasaki is a mysterious person. Sometimes he seems to be on the first bunk of a bunk bed, but then he's not there... Sometimes he seems like a child... like a loving parent... but sometimes he ties himself up... or chokes himself... he's misunderstood people even when he's telling the truth... he's a child, but he can't be a child... he's survived through extremely difficult times... and in the process of surviving, he's acquired a unique talent... putting into words what others can't put into words... expressing with his body what words alone can't... and from now on... he's taking the stage as the main character... and deciding for himself what he wants to do and when he wants to do it. *Words from a process work session, a form of psychological counseling.